For our struggle is not against flesh and blood, but against the rulers, against the authorities, against the powers of this dark world and against the forces of evil in the heavenly realms. – Ephesians 6:12
Films about demons have long been hugely popular among a certain portion of movie-goers. Unfortunately, these films contain more sensationalism than truth, utilizing just enough biblical references to give a semblance of legitimacy before launching into an orgy of terror and gore, with enough lewd sensuality thrown in to attract additional viewers from the porn enthusiasts.
The more sanitized Christian attempts at sending a message about evil all too often ends up awkward and strained, what we used to call “hokey,” now dubbed simply “lame.”
I can think of a few exceptions, for example, Mel Gibson’s film “The Passion of the Christ.” Another exception is C. S. Lewis’s classic fiction The Screwtape Letters. (I’ve seen an excellent stage rendition by the Fellowship for the Performing Arts.) I would put the new film “Nefarious” in that category. It’s been aptly described as “Screwtape meets ‘Silence of the Lambs.'”
Before recommending this film, I should probably put out a disclaimer. There are “religious” people who would not want to see it. The topic, the language, the violence might offend their sensibilities, and that’s OK. They are not the target audience. “Nefarious” is not a film to entertain church people, and it doesn’t attempt to entice the world into the Church with promises of “pie in the sky in the sweet by-and-by.” (Admit it, for the most part the world doesn’t think that far into the future and, frankly, doesn’t care.)
“Nefarious” is, rather, a startling, in-your-face picture of what’s really going on behind the scenes in a secular, sinful, self-righteous, and oblivious world. It’s a blunt wake-up call, a warning of what the future holds for those who continue to reject the true God in favor of satisfying their egos and fleshly appetites. It also accuses the lukewarm “religious” people (“having a form of godliness but denying its power.” – II Timothy 3:5) as being unwitting allies of the enemy.
The bulk of the film takes place in a maximum-security prison, where a young psychiatrist, a cocky atheist named James, (played by Jordan Belfi) is interviewing a condemned murderer named Edward (Sean Patrick Flanery) hours before his scheduled execution to determine the man’s mental state. Interestingly, the murderer is not pleading insanity, but demon possession. In the course of the interview the alleged demon does most of the talking in an elaborate, fast-paced dialogue.
At first James appears skeptical, even amused, but as the interview progresses, he is confronted with his own guilt, which he tries to deflect. At one point the psychiatrist even facetiously – and foolishly – invites the demon to come into him. (The consequences of that proposal are disastrous but only manifested moments after the present host’s execution.) Although James is presented with details of his life that a man who has been in solitary confinement could not have possibly known, he remains stubbornly unconvinced, and for the most part, unrepentant. The exception is one agonizing attempt to set things right, which turns out to be too little, too late.
The demon, “Nefarious,” speaks in his own twisted way, Screwtape-style, truths in reverse. For example, speaking of Christ – “the Carpenter” – as the enemy. When the prison “chaplain” confesses that he has never done an exorcism, implies that he doesn’t, in fact, believe in demons, and speaks blandly about “getting along,” the condemned man relaxes, smiles, and in the voice of Nefarious tells him in a low chuckle, “I like you.”
When the topic of theology comes up, the demon declares that he knows more about theology than all of them put together.
We do get occasional glimpses of Edward, the demon’s hapless host. Edward is a pitiful shell of a man, whose life has been taken over by an entity he is powerless to resist. (Flanery, by the way, should receive the Oscar for Best Actor, hands-down.) Edward is utterly, miserably helpless, and it is apparent that the wimpy chaplain and smug psychiatrist offer no help at all.
To me one of the most profound moments of dialogue was when the demon referred to their conversation in terms of a contest. James responds, “I didn’t know we were in a fight.”
Nefarious retorts, “That’s why you’re losing.”
This film doesn’t end with a gospel presentation and an altar call, but rather with a chilling reminder of the evil that is everywhere in this world, and that refusing to believe in it is not going to make it go away. There is, thankfully, a welcome glimpse of redemption at the end, but the impact of the film in general is sobering and, one would hope, convicting.
“Nefarious” is a wake-up call, because like it or not, we are in a battle.
The question is, which side are you on?
Prayer: Lord, we rejoice that You love us and have overcome evil! As we are called to be overcomers as well, we take up the armor You have provided us with. Help us to be ready to follow You, our Commander, into the battle, knowing we will win. In Jesus’ name, amen.